Color & Surface

Grinding Medium

Abrasive grit and carrier used to prepare or texture a glass surface before finishing.

Coloring
Grinding Medium diagram
Specifications
AbrasiveSilicon carbide or aluminium oxide
Grit range60 coarse to 600 fine
CarrierWater, recirculated with a settling tank
ApplicationSurface preparation and edge shaping

Compatible glass types

Soda-lime Borosilicate Lead crystal

Compatibility assumes the tool is rated for the working temperature of that glass family. Check the maker's documentation before use.

Overview

Grinding medium is the abrasive that does the actual cutting in coldworking. Silicon carbide grit in a water carrier is the workhorse: coarse grades remove material and shape an edge, fine grades prepare a surface for polishing. Water is not just a carrier, it is a coolant and a dust suppressant, and dry grinding is never acceptable.

Safety notes
  • Never grind dry. Airborne glass and abrasive dust causes silicosis.
  • Keep the slurry wet and covered. Dried slurry re-aerosolises when disturbed.
  • Wear eye protection. Slurry spray carries fine grit.

Using it well

Practical guidance
  • Step through grits in order. Jumping from 80 to 600 wastes abrasive and leaves deep scratches.
  • Change the water often. A loaded slurry polishes instead of cutting.
  • Mark the surface with a pencil to see when a coarse stage is complete.

What to look for

  • Graded grit for predictable material removal
  • Recirculating water system that keeps dust down
  • Compatible with flat laps and hand grinding
Related

Tools used alongside the grinding medium

Colored Frit diagram
Hot 3D

Colored Frit

Crushed coloured glass graded by mesh size, rolled onto a hot gather for speckled colour.

Coloring
Glass Powder diagram

Glass Powder

Finely milled coloured glass, sifted or dusted onto hot glass for soft gradients.

Coloring
Metal Oxide diagram

Metal Oxide

Raw colouring oxides that tint a melt directly, in very small proportions.

Coloring
Gold Leaf diagram

Gold Leaf

Transfer gold applied to hot glass, where it fuses into a metallic surface layer.

Coloring

See the color & surface workflow

Read the category overview, or jump into the 3D Studio to see these tools applied to a live piece.

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